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	<title>EC Horror Comics Archive &#187; 1950</title>
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	<description>Vintage EC Horror Comic Book Covers</description>
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		<title>Tales From the Crypt #20 (Oct/Nov 1950)</title>
		<link>http://echorrorcomicsarchive.com/tales-from-the-crypt-20-octnov-1950/</link>
		<comments>http://echorrorcomicsarchive.com/tales-from-the-crypt-20-octnov-1950/#comments</comments>
		<pubDate>Sun, 19 Oct 2008 18:00:04 +0000</pubDate>
		<dc:creator>Crypt Keeper</dc:creator>
				<category><![CDATA[Tales from the Crypt]]></category>
		<category><![CDATA[1950]]></category>
		<category><![CDATA[a fatal caper]]></category>
		<category><![CDATA[comic]]></category>
		<category><![CDATA[crypt]]></category>
		<category><![CDATA[Crypt of Terror]]></category>
		<category><![CDATA[impending doom]]></category>
		<category><![CDATA[jack kamen]]></category>
		<category><![CDATA[rx death]]></category>

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			<content:encoded><![CDATA[<p><img width="366" height="525" alt="Picture of Tales From the Crypt #20 (Oct/Nov 1950) cover" src="http://echorrorcomicsarchive.com/wp-content/qdir/main/2008_10/crypt20.jpg" class="photoQcontent photoQImg" title="Tales From the Crypt #20 (Oct/Nov 1950) tales from the crypt" /></p>
<div class="photoQDescr">Though this one is given the number 20, it’s really only the first to run under the name Tales from the Crypt. In the previous issues, the format was pretty much the same: the story is told with the Crypt Keeper providing the intro and outro. The only real difference was that they ran under the name “Crypt of Terror”.</div>
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		<title>The Crypt of Terror #19 (1950)</title>
		<link>http://echorrorcomicsarchive.com/the-crypt-of-terror-19-1950/</link>
		<comments>http://echorrorcomicsarchive.com/the-crypt-of-terror-19-1950/#comments</comments>
		<pubDate>Fri, 17 Oct 2008 18:00:09 +0000</pubDate>
		<dc:creator>Crypt Keeper</dc:creator>
				<category><![CDATA[Crypt of Terror]]></category>
		<category><![CDATA[1950]]></category>
		<category><![CDATA[al feldstein]]></category>
		<category><![CDATA[comic]]></category>
		<category><![CDATA[ec]]></category>
		<category><![CDATA[ghost ship]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[johnny craig]]></category>
		<category><![CDATA[zombie]]></category>

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<div class="photoQDescr">&#8220;&#8230;blasted voodoo drums! They&#8217;ve been beating incessantly ever since the night I murdered my wife!&#8230;I wonder what those natives are up to?&#8221;</div>
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		<title>The Crypt of Terror #17 (1950)</title>
		<link>http://echorrorcomicsarchive.com/the-crypt-of-terror-17-1950/</link>
		<comments>http://echorrorcomicsarchive.com/the-crypt-of-terror-17-1950/#comments</comments>
		<pubDate>Tue, 14 Oct 2008 19:46:06 +0000</pubDate>
		<dc:creator>Crypt Keeper</dc:creator>
				<category><![CDATA[Crypt of Terror]]></category>
		<category><![CDATA[1950]]></category>
		<category><![CDATA[comic]]></category>
		<category><![CDATA[cover]]></category>
		<category><![CDATA[ec]]></category>
		<category><![CDATA[johnny craig]]></category>

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<div class="photoQDescr">Johnny Craig &#8211; The Crypt of Terror #17 Cover Original Art (EC, 1950). Certainly one of the most historic pieces of horror comic art, this is arguably the first horror cover ever produced by EC. The last two issues of War Against Crime and Crime Patrol are decidedly EC horror books, but Gaines still hedged his bet; they remained crime comics, if only in title. However, with Crypt of Terror #17 and Vault of Horror #12, Gaines threw caution (and, some would say, good taste) to the four winds and took the plunge. He let his imagination, and the talents of his artists, run rampant, and comic book history took a dramatic turn. The result was that EC&#8217;s graphically violent covers and stories sold very well. Of course, this bred myriad imitators, all trying to out-do one another in the grue-and-gore department. Ultimately, psychologists, social reformers and Senator Kefauver&#8217;s Senate hearings put a stake in the heart of Bill Gaines&#8217; horror-based empire. Often imitated but never duplicated, their like has not been seen since. The cover here, while not as graphic as later efforts, is one of Craig&#8217;s finer pieces. The detail is exquisite, particularly the alley cat foraging for its dinner. All of the type, including the logo, is hand drawn. </div>
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