EC Horror Comics Archive

Vintage EC Horror Comic Book Covers

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The Haunt of Fear #14

Posted on November 16th, 2008

The Haunt of Fear #14

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Tales From the Crypt #30 (June/July 1952)

Posted on October 30th, 2008

Tales From the Crypt #30 (June/July 1952)

More Jack Davis cover art. The story titles in this comic are: “Gas-tly Prospects!”, “A Hollywood Ending!”, “Auntie, It’s Coal Inside!”, and “Mournin’, Ambrose…”.

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Tales From the Crypt #27 (December/January 1952)

Posted on October 27th, 2008

Tales From the Crypt #27 (December/January 1952)

An awesome Wally Wood cover – this is an especially cool-looking comic.

Stories include…
“Well-Cooked Hams!” by Jack Davis, “Madam Bluebeard” by Joe Orlando, “Return!” by Jack Kamen, and “Horror! Head… It Off!” by Graham Ingels.

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Three Dimensional EC Classics (Spring, 1954)

Posted on October 16th, 2008

Three Dimensional EC Classics (Spring, 1954)

This comic featured Harvey Kurtzman cover art. Continued as Three Dimensional Tales From The Crypt of Terror #2.

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The Crypt of Terror #17 (1950)

Posted on October 14th, 2008

The Crypt of Terror #17 (1950)

Johnny Craig – The Crypt of Terror #17 Cover Original Art (EC, 1950). Certainly one of the most historic pieces of horror comic art, this is arguably the first horror cover ever produced by EC. The last two issues of War Against Crime and Crime Patrol are decidedly EC horror books, but Gaines still hedged his bet; they remained crime comics, if only in title. However, with Crypt of Terror #17 and Vault of Horror #12, Gaines threw caution (and, some would say, good taste) to the four winds and took the plunge. He let his imagination, and the talents of his artists, run rampant, and comic book history took a dramatic turn. The result was that EC’s graphically violent covers and stories sold very well. Of course, this bred myriad imitators, all trying to out-do one another in the grue-and-gore department. Ultimately, psychologists, social reformers and Senator Kefauver’s Senate hearings put a stake in the heart of Bill Gaines’ horror-based empire. Often imitated but never duplicated, their like has not been seen since. The cover here, while not as graphic as later efforts, is one of Craig’s finer pieces. The detail is exquisite, particularly the alley cat foraging for its dinner. All of the type, including the logo, is hand drawn.

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