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Vintage EC Horror Comic Book Covers

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Tales From the Crypt #20 (Oct/Nov 1950)

Posted on October 19th, 2008

Tales From the Crypt #20 (Oct/Nov 1950)

Though this one is given the number 20, it’s really only the first to run under the name Tales from the Crypt. In the previous issues, the format was pretty much the same: the story is told with the Crypt Keeper providing the intro and outro. The only real difference was that they ran under the name “Crypt of Terror”.

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The Crypt of Terror #19 (1950)

Posted on October 17th, 2008

The Crypt of Terror #19 (1950)

“…blasted voodoo drums! They’ve been beating incessantly ever since the night I murdered my wife!…I wonder what those natives are up to?”

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Three Dimensional Tales From the Crypt of Terror (March, 1954)

Posted on October 15th, 2008

Three Dimensional Tales From the Crypt of Terror (March, 1954)

This comic book featured an Al Feldstein cover. Two pairs of 3-D glasses were included. Formerly Three Dimensional EC Classics.

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The Crypt of Terror #18 (October, 1950)

Posted on October 14th, 2008

The Crypt of Terror #18 (October, 1950)

This second issue was one of the first New Trends to hit the stands. It boasted a Johnny Craig cover, and interior art by Craig, Al Feldstein, Wally Wood, and Harvey Kurtzman. It had the first EC horror story for both Wood and Kurtzman.

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The Crypt of Terror #17 (1950)

Posted on October 14th, 2008

The Crypt of Terror #17 (1950)

Johnny Craig – The Crypt of Terror #17 Cover Original Art (EC, 1950). Certainly one of the most historic pieces of horror comic art, this is arguably the first horror cover ever produced by EC. The last two issues of War Against Crime and Crime Patrol are decidedly EC horror books, but Gaines still hedged his bet; they remained crime comics, if only in title. However, with Crypt of Terror #17 and Vault of Horror #12, Gaines threw caution (and, some would say, good taste) to the four winds and took the plunge. He let his imagination, and the talents of his artists, run rampant, and comic book history took a dramatic turn. The result was that EC’s graphically violent covers and stories sold very well. Of course, this bred myriad imitators, all trying to out-do one another in the grue-and-gore department. Ultimately, psychologists, social reformers and Senator Kefauver’s Senate hearings put a stake in the heart of Bill Gaines’ horror-based empire. Often imitated but never duplicated, their like has not been seen since. The cover here, while not as graphic as later efforts, is one of Craig’s finer pieces. The detail is exquisite, particularly the alley cat foraging for its dinner. All of the type, including the logo, is hand drawn.

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